About The Author

Carole a. Feuerman

Carole A. Feuerman (1945) is an American superrealist sculptor born in Hartford, Connecticut and currently lives and works in New York. She is best known for her figurative sculptures depicting swimmers and dancers. Feuerman is the only woman to sculpt in this style, creating both indoor and outdoor works that are painted lifelike.

During the rise of postmodernism in the mid-seventies, Feuerman drew inspiration from historical imagery and styles while creating 3D illustrations for prominent magazines and tour publications, featuring rock icons like the Rolling Stones and Alice Cooper. Her debut life casting in 1975, showcased on the cover of the National Lampoon, marked a significant artistic achievement.

Transitioning into the late 1970s, Feuerman delved into creating fragmented erotic compositions, adding complexity to her work. As a narrative artist, she infuses her sculptures with symbolic depth, inviting viewers into a dialogue. Informed by postmodernist thought, the 1980s saw Feuerman creating lifelike, full-figure super realistic sculptures, solidifying her artistic career & legacy.

Her passion for water and the ocean stems from her childhood memories spent at the beach. Feuerman describes the sensation of water droplets on her skin after swimming and the intricate patterns they formed as captivating. The beach became her sanctuary—a place of escape and tranquility. It was during a beach outing with her children that she encountered a swimmer with water droplets streaming down her face, radiating a sense of pride and accomplishment. This encounter catalyzed her first swimmer sculpture titled Catalina (1978).

Selected exhibitions include Park Ave and Central Park in New York, Art D’ Egypte in Cairo, the Smithsonian Institution’s National Portrait Gallery in Washington D.C., the State Hermitage Museum in St. Petersburg, and the Palazzo Strozzi Palace in Florence. Her sculptures are also in the permanent collections of thirty-four museums, as well as the cities of Sunnyvale, CA, and Peekskill, NY. Feuerman’s works are featured in the private collections of Steven A. Cohen, Former President Clinton, Dr. Henry Kissinger, and Malcolm Forbes, among others. Additionally, she has taught, lectured, and given workshops at institutions like the Guggenheim Museum and the Metropolitan Museum.

In recognition of her contributions to the arts, Feuerman has received the Lifetime Achievement ‘Goddess Artemis’ Award from the European American Women’s Council (EAWC), First Prize at the Huan Tai Hu Museum in Changzhou, China, Best in Show in Beijing, China, the Amelia Peabody Award, First Prize at the Beijing Biennale, and the Medici Award in Florence, Italy.



Through my sculptures I convey my feelings about life and art. It is far easier for me to express my emotions through sculpture than through words. I portray the inner life of each image I create to capture the passion and sensuality of my subject. In this way, my work speaks to the viewer, evoking both an emotional and an intellectual response. 

My early hyper-realistic sculptures invite the audience to contemplate the intriguing dichotomy of reality in life and art. While my current work in metal is inspired by the idealized forms of ancient civilizations, in my trompe-l’oeil works, figures are portrayed as fragmented reality. Although only a portion of the body is presented, extensive detailing makes each figure come to life. In contrast, the classical subjects of my work in metal are realized through a technique I developed for dripping and pouring molten materials. 

Throughout my artistic career, my style has undergone many transformations, but my passion for art and my love of creating art endure. 

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